By Adam Duckworth
Shooting with any type of flash - even if it is a basic mild in your digicam, a remotely-triggered unit, or an entire studio setup - thoroughly adjustments the photographic adventure. not do you just must be conscious of mild; now you want to understand how to form it for your personal ends. The Flash images box Guide, sufficiently small to be taken at the such a lot onerous shoot, will convey you precisely how one can do that, no matter if you are capturing types in a studio, reside activities occasions, or whatever as own and distinct as your friend's marriage ceremony. This ebook covers the main points of establishing and utilizing glossy TTL flash platforms, and the inventive and technical offerings you will come upon, from syncing the flash with the digital camera to editing the standard of the light.
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Extra info for Flash Photography Field Guide
Sample text
Some manufacturers, like Lastolite, now offer a whole range of masks and strips, complete with hook-and-loop fastener, so you can experiment to your ILEX INSTANT Basics Gels F 87 Advanced A yellow gel gives a whole different feel again. Gels are cheap and can have a great effect. Nikon D3X; 85mm focal length; ISO 100; 1/200 sec at ƒ/4. mix in ambient light, they can help you affect color shifts in your whole image and can make a blue sky look even more blue, especially as light levels start to fall.
You haven’t got the spread-around light of a typical shootthrough umbrella to help you, for example. Typically, the reflective material inside a softbox is silver. Some manufacturers offer white-lined softboxes for a slightly softer light, though these do reduce the power of the light slightly. Most softboxes have an inner diffuser—essentially a piece of white diffusion fabric similar to the fabric in a shoot-through umbrella. This inner diffusion can usually be removed to provide a slightly harder light source, or to make the light more efficient if power is an issue.
Gels are cheap and can have a great effect. Nikon D3X; 85mm focal length; ISO 100; 1/200 sec at ƒ/4. mix in ambient light, they can help you affect color shifts in your whole image and can make a blue sky look even more blue, especially as light levels start to fall. One trick to make a sky take on a really electric blue color is to change your camera’s white balance from flash to tungsten. The camera is “expecting” the light to be very warm-colored, and so it makes everything look cool on the final image, thus the sky goes from blue to a very much more saturated blue.