Hope for Film: From the Frontline of the Independent Cinema by Ted Hope

By Ted Hope

An inspiring, tell-all examine the indie movie enterprise from one of many industry’s such a lot passionate manufacturers, Hope for Film captures the rebellious punk spirit of the indie movie growth in Nineteen Nineties manhattan urban, its cave in twenty years later and its present second of technology-fueled regeneration. Ted desire, whose movies have garnered 12 Oscar nominations, attracts from his personal own studies engaged on the early motion pictures of Ang Lee, Eddie Burns, Hal Hartley, Michel Gondry, Nicole Holofcener, Todd Solondz and different indie mavericks, referring to these judgements that introduced him luck in addition to the occasional failure.

Whether navigating negotiations with Harvey Weinstein over ultimate cuts or clashing with high-powered CAA brokers over their consumers, wish bargains behind-the-scenes tales from the wild and sometimes heated international of cost-efficient cinema—where paintings and trade collide. As mediator among those opposing pursuits, desire bargains his precise viewpoint on the way to make video clips whereas maintaining your integrity intact and the way to create a sustainable company out of that paintings whereas staying precise to your self. opposed to a backdrop of seismic adjustments within the indie-film undefined, from company co-option to the increase of social media, Hope for Film offers not just an unique and intimate experience in the course of the ups and downs of the enterprise of art-house video clips during the last 25 years, but in addition wish for its destiny.

Show description

Read Online or Download Hope for Film: From the Frontline of the Independent Cinema Revolutions PDF

Similar film books

Cinema and Spectatorship (Sightlines)

Cinema and Spectatorship is the 1st publication to concentration completely at the background and function of the spectator in modern movie experiences. whereas Seventies movie conception insisted on a contrast betweeen the cinematic topic and film-goers, Judith Mayne means that a really genuine friction among "subjects" and "viewers" is in reality vital to the learn of spectatorship.

Bride of Frankenstein (Movie Monsters Series)

Whereas the wounded and fearful Monster he created spreads terror through the kingdom facet, Dr. Frankenstein is persuaded via a colleague to create a girl to be the Monster's bride.

Leonard Maltin's Family Movie Guide

Well-known as one of many major specialists on American movie, Leonard Maltin can also be a dad or mum who's conscious of the diversities among a child's and critic's standpoint on motion pictures. each one movie indexed comprises its MPAA ranking, an evidence of that ranking, classification, and the author's personal score process of even if a movie is sweet, undesirable, or ok for either older and more youthful little ones.

Knockout: The Boxer and Boxing in American Cinema

Knockout: The Boxer and Boxing in American Cinema is the 1st book-length research of the Hollywood boxing movie, a well-liked motion picture leisure because the Thirties, that comes with such classics as "Million buck Baby," "Rocky," and "Raging Bull. " The boxer stands along the cowboy, the gangster, and the detective as a personality that formed America's rules of manhood.

Additional info for Hope for Film: From the Frontline of the Independent Cinema Revolutions

Sample text

Hartmut Bitomsky y yo también habíamos intentado crear en torno nuestro una organización de masas para realizadores de películas didácticas, reclutando a esos estudiantes de arte a los que la universidad no conseguía sacar de la cama. Habíamos querido despertar su c o m p r o m i s o c o n una reivindicación como: hacer del cine una ciencia —politizar la ciencia. Antes del congreso sobre Vietnam, Rudi Dutschke" 1 había dicho que nos poníamos en contra de toda la opinión pública con nuestra intervención por la victoria del vietcong y que teníamos que ser conscientes de lo que eso implicaba.

Cuando una escena me quedaba muy corta y quería volver a alargarla, nunca encontraba el fragmento que había recortado y me las arreglaba insertando una imagen fija. C o m o recurrí a un laboratorio de copiado pequeño y barato, en los cortes de imagen en movimiento a imagen fija la película saltaba y las imágenes fijas se opacaban ligeramente. Para el editor Reinhold E. Thiel la dicción de los actores no era lo suficientemente estilizada, por lo que grabé todas las participaciones solamente con una voz masculina y una femenina.

Filmkritik llegó a ser en ocasiones, después de 1968, tan carCahiers du Cinéma en aquella época. Un texto navalesca como debía surgir del interés vivo de un autor y no debía derivar, bajo ningún punto de vista, de una utilidad: se trataba justamente de derribar aquella noción que sostenía que la industria cultural debía cumplir una función. Así fue como aparecieron trabajos contun- dentes como los de Helmut Färber, Uwe Nettelbeck, Gerhard Theuring, W i m Wenders, que no comentan películas sino que pueden servir, más bien, de modelos para el cine.

Download PDF sample

Rated 4.61 of 5 – based on 12 votes