By Billy Pegram
Detailed discussions and crowd pleasing, dynamic pictures convey photographers how you can masterfully create superbly illuminated types during this expert, informative source. With an unending array of appears to be like for every type of models—such as nude, athletic, advertisements, hand, leg, and plus size—this handbook is jam-packed with notion in addition to technical advice. Start-to-finish analyses of real-life classes aid photographers take the guesswork out of lights and stay away from universal errors. no matter if improving a product with the version or showcasing the version with the photo, the following pointers illustrate the right way to meet pursuits via artistry and skill.
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3-15 (right). This image shows the combined effect of all the lights discussed in the previous images—plus the a gold reflector below the model’s chest for added fill and warmth. 3-12. This image was created with only the hair light on. 3-13. This image was created with only the fill light on. 3-16. Here, you see an overview of the final setup. feet from the strobe was f/32). A gel (see page 83) was also taped around the flash tube to create a warm coloration. Because of the heat produced when firing the flash, you should not place anything directly in contact with the flash tube.
As well. This can be effective with men’s facial structure, but it is not normally as flattering to a woman’s face. Backlight. Backlight occurs when the light source is directly behind the subject and directed toward the camera. One thing to watch out for when using strong backlighting is lens flare. This occurs when light shines directly into the lens and results in a loss of contrast and color saturation, and in some cases the creation of bright geometric artifacts (reflections off the elements within the lens itself).
These are the kinds of highlights that can be created using accent lights. ), but creating fill light with a reflector is also very popular because the results are easy to control. For some examples of creating fill light with reflectors, see pages 70–71. To see fill light created with electronic flash, see page 65. When adding a fill-light source to your setup, be aware that this source can create a second catchlight in the model’s eyes. If this is objectionable to you, you’ll need to remove it in Photoshop.