By Margaret Ferguson
This number of essays explores the numerous agreements and tensions among modern feminist and postmodern theories and practices. Having introduced huge, immense alterations to conceptions of the physique, id, and the media, postmodernity compels the rethinking of many feminist different types, together with lady adventure, the self, and the suggestion that "the own is political." Feminist research has been both vital, although no longer consistently both said, as a strength inside of postmodernism. Feminist writings on subjectivity, grasp narratives, and the socioeconomic underpinnings of the grasp narrative of thought itself were quite influential. This quantity strains the crossings and mutual interrogations of those traditions into the arenas of cultural creation, criminal discourse, and philosophical thought.Multidisciplinary and foreign of their collective concentration, the essays variety from a research of Madonna as an Italian American lady who's revising the cultural meanings of an ethnic feminism to a special interview with Mairead Keane, the nationwide head of the Women’s division of the Irish political celebration Sinn Fein. Turning the prism of postmodern feminism onto such different cultural gadgets as literary and literary serious texts, modern movie, and song, those essays intrude in debates relating to know-how, sexuality, and politics. demanding smooth feminisms to articulate their inescapable relation to postmodern society, this extended version of a different factor of boundary 2 additionally explores ways that feminism can paintings because the innovative of a world postmodernism.Contributors. Salwa Bakr, Claire Detels, Margaret Ferguson, Carla Freccero, Marjorie Garber, Barbara Harlow, Laura E. Lyons, Anne McClintock, Toril Moi, Linda Nicholson, Mary Poovey, Andrew Ross, David Simpson, Kathyrn Bond Stockton, Jennifer Wicke
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Additional resources for Feminism and Postmodernism (A Boundary 2 Book)
Sample text
The recentchampioningof MacKinnonby the philosopherRichardRortyhas to be one of the most peculiarchaptersin contemporarycriticalthinking. Wicke/ Postmodern Identities27 Hillthus becomingindistinguishable froma womandepictedin a pornooutright. To espy pornography lurksandto devoteallone'sfeministenergiesto publicenemynumberone, pornography. Boileddown to the brass tacks of pornography, this entailsassumingthatrepresentationsare what precisely they represent-there is no intermediatezone of fantasy, culturalplay,or even justframinggoingon.
Whereas Schwarzenegger's character has softened considerably in the sequel to the first Terminatormovie, Linda Hamilton's Sarah Connor has become as emotionally hard as her muscles. This machine can never be a man, but because he is so faithful,so reliable, and because he chooses at the end to sacrifice himself for the boy, this Terminator can stand in for the father the boy has never known and, in so doing, he can symbolicallyfather the human race, which, withouthim, would have ceased to exist.
The general repudiationof Anita Hill'ssexual harassment charges is symptomatic of, on the one hand, the undeniable grip of sexism still prevailing, but also of the weak response a politics of identitywill be able to make in the face of that sexism. The politics of image despises the image but also lives and dies for the image, since that comes to be the only grounds of political evaluation: Is that a good image or a bad image? The politicsof identityembraces a similar contradiction. A group accepts its singularityas a social category-of race, or sex, or sexual persuasion, for example-as the basis for identifying a common struggle.