By M. Carlson
The pressing debate approximately torture in public discourse of the twenty-first century thrusts discomfort into the foreground whereas learn in neuroscience is reworking our realizing of this basic human event. In late-medieval France, a rustic devastated by way of the Black dying, torn via civil strife, and strained through the Hundred Year’s warfare with England, the suggestion of discomfort shifted in the conceptual frameworks supplied by way of theology and medication. acting our bodies in discomfort analyzes the cultural paintings of striking affliction in the course of those classes, analyzing fresh dramatizations of torture and performances of self-mutilating conceptual artwork opposed to late-medieval saint performs.
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The pressing debate approximately torture in public discourse of the twenty-first century thrusts ache into the foreground whereas learn in neuroscience is reworking our realizing of this basic human adventure. In late-medieval France, a rustic devastated by means of the Black demise, torn by means of civil strife, and strained by way of the Hundred Year’s conflict with England, the inspiration of ache shifted in the conceptual frameworks supplied by means of theology and drugs.
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Extra resources for Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists (Palgrave Studies in Theatre and Performance History)
Example text
59 In modern and post-modern theatre, actors’ performances of pain typically create a bond between their characters and situate them within a hostile environment, and they also create solidarity between the characters and the spectators. While this isn’t entirely different from the bloody special effects popular in the medieval theatre, I suggest that spectator response was quite different from the politics of pity that I discussed earlier. In modern usage, compassion not only includes empathy or pity but also entails an obligation to alleviate suffering.
Lacking such an explicit and clearly localized target, the revival tour presented an opportunity to remember and reassess, but it contributed to the community of sentiment forming in opposition to official policies and interrogation practices that contradict both our laws and our self-image. The United States entered into an intensified period of anxiety during the second term of George W. Bush’s presidency. Many of us wanted to believe in the rule of law but felt unable to trust our government.
And there’s a bruise—blue and purple and blood red—in the back of your eye. Your ear is being ripped off and the blood isn’t blood but fire, stabbing in centimeter by centimeter down the back of your neck. And your neck fights back. It wants to be the sky so it sends the lightning back boxerlike in stiff jabs and explosion punches. Your teeth erupt and pelt you in the face; your ear bursts open and pastes itself against your eye; your eye recoils and shoots out through your temple and the blades and the whistles and the symbols [sic] and the blackboard chalk and the bombs and the jets all go off at the same time in a piercing scream.